1. What are some of the more experimental ways that early sound films used music?

2. What does the term "bricolage" mean? How is Kalinak using it as a descriptive term?

3. How might institutional or directorial power affect the composer's role in the filmmaking process?

4. What is a temp track, and how is it used?

5. Not all composers are able to (or want to) be present in the "pre-production" stage of filmmaking. What are some reasons they might (or might not) be part of the filmmaking process at this stage?

All of question 1-5 can write 1-5 sentences and write more specific.